Dead Metaphor Definition and Examples

Dead Metaphor Definition and Examples A dead metaphor is traditionally defined as a  figure of speech that has lost its force and imaginative effectiveness through frequent use. Also known as a  frozen metaphor or a historical metaphor. Contrast with creative metaphor. Over the past several decades, cognitive linguists have criticized the dead metaphor theory- the view that a conventional metaphor is dead and no longer influences thought: The mistake derives from a basic confusion: it assumes that those things in our cognition that are most alive and most active are those that are conscious. On the contrary, those that are most alive and most deeply entrenched, efficient, and powerful are those that are so automatic as to be unconscious and effortless. (G. Lakoff and M. Turner, Philosophy in the Flesh. Basic Books, 1989) As  I.A. Richards said back in 1936: This favorite old distinction between dead and living metaphors (itself a two-fold metaphor) needs a drastic re-examination (The Philosophy of Rhetoric) Examples and Observations Kansas City is oven hot, dead metaphor or no dead metaphor. (Zadie Smith, On the Road: American Writers and Their Hair, July 2001)An example of a dead metaphor would be the body of an essay. In this example, body was initially an expression that drew on the metaphorical image of human anatomy applied to the subject matter in question. As a dead metaphor, body of an essay literally means the main part of an essay, and no longer suggests anything new that might be suggested by an anatomical referent. In that sense, body of an essay is no longer a metaphor, but merely a literal statement of fact, or a dead metaphor. (Michael P. Marks, The Prison as Metaphor. Peter Lang, 2004)Many venerable metaphors have been literalized into everyday items of language: a clock has a face (unlike human or animal face), and on that face are hands (unlike biological hands); only in terms of clocks can hands be located on a face. . . . The deadness of a metaphor and its status as a clichà © are relative m atters. Hearing for the first time that life is no bed of roses, someone might be swept away by its aptness and vigor. (Tom McArthur, Oxford Companion to the English Language. Oxford University Press, 1992) [A] so-called dead metaphor is not a metaphor at all, but merely an expression that no longer has a pregnant metaphorical use. (Max Black, More About Metaphor. Metaphor and Thought, 2nd ed., ed. by Andrew Ortony. Cambridge University Press, 1993) It's Alive! The dead metaphor account misses an important point: namely, that what is deeply entrenched, hardly noticed, and thus effortlessly used is most active in our thought. The metaphors . . . may be highly conventional and effortlessly used, but this does not mean that they have lost their vigor in thought and that they are dead. On the contrary, they are alive in the most important sense- they govern our thought- they are metaphors we live by. (Zoltn Kà ¶vecses, Metaphor: A Practical Introduction. Oxford University Press, 2002) Two Kinds of Death The expression dead metaphor- itself metaphorical- can be understood in at least two ways. On the one hand, a dead metaphor may be like a dead issue or a dead parrot; dead issues are not issues, dead parrots, as we all know, are not parrots. On this construal, a dead metaphor is simply not a metaphor. On the other hand, a dead metaphor may be more like a dead key on a piano; dead keys are still keys, albeit weak or dull, and so perhaps a dead metaphor, even if it lacks vivacity, is metaphor nonetheless. (Samuel Guttenplan, Objects of Metaphor. Oxford University Press, 2005) The Etymological Fallacy To suggest that words always carry with them something of what may have been an original metaphoric sense is not only a form of etymological fallacy; it is a remnant of that proper meaning superstition which I.A. Richards so effectively critiques. Because a term is used which was originally metaphorical, that is, which came from one domain of experience to define another, one cannot conclude that it necessarily continues to bring with it the associations which it had in that other domain. If it is a truly dead metaphor, it will not. (Gregory W. Dawes, The Body in Question: Metaphor and Meaning in the Interpretation of Ephesians 5:21-33. Brill, 1998)

Daughter Cells and Chromosome Number in Mitosis and Meiosis

Daughter Cells and Chromosome Number in Mitosis and Meiosis Daughter cells are cells that result from the division of a single parent cell. They are produced by the division processes of mitosis and meiosis. Cell division is the reproductive mechanism whereby living organisms grow, develop, and produce offspring. At the completion of the mitotic cell cycle, a single cell divides forming two daughter cells. A parent cell undergoing meiosis produces four daughter cells. While mitosis occurs in both prokaryotic and eukaryotic organisms, meiosis occurs in eukaryotic animal cells, plant cells, and fungi. Daughter Cells in Mitosis Mitosis is the stage of the cell cycle that involves the division of the cell nucleus and the separation of chromosomes. The division process is not complete until after cytokinesis, when the cytoplasm is divided and two distinct daughter cells are formed. Prior to mitosis, the cell prepares for division by replicating its DNA and increasing its mass and organelle numbers. Chromosome movement occurs in the different phases of mitosis: ProphaseMetaphaseAnaphaseTelophase During these phases, chromosomes are separated, moved to opposite poles of the cell, and contained within newly formed nuclei. At the end of the division process, duplicated chromosomes are divided equally between two cells. These daughter cells are genetically identical diploid cells that have the same chromosome number and chromosome type. Somatic cells are examples of cells that divide by mitosis. Somatic cells consist of all body cell types, excluding sex cells. The somatic cell chromosome number in humans is 46, while the chromosome number for sex cells is 23. Daughter Cells in Meiosis In organisms that are capable of sexual reproduction, daughter cells are produced by meiosis. Meiosis is a two part division process that produces gametes. The dividing cell goes through prophase, metaphase, anaphase, and telophase twice. At the end of meiosis and cytokinesis, four haploid cells are produced from a single diploid cell. These haploid daughter cells have half the number of chromosomes as the parent cell and are not genetically identical to the parent cell. In sexual reproduction, haploid gametes unite in fertilization and become a diploid zygote. The zygote continues to divide by mitosis and develops into a fully functioning new individual. Daughter Cells and Chromosome Movement How do daughter cells end up with the appropriate number of chromosomes after cell division? The answer to this question involves the spindle apparatus. The spindle apparatus consists of microtubules and proteins that manipulate chromosomes during cell division. Spindle fibers attach to replicated chromosomes, moving and separating them when appropriate. The mitotic and meiotic spindles move chromosomes to opposite cell poles, ensuring that each daughter cell gets the correct number of chromosomes. The spindle also determines the location of the metaphase plate. This centrally localized site becomes the plane on which the cell eventually divides. Daughter Cells and Cytokinesis The final step in the process of cell division occurs in cytokinesis. This process begins during anaphase and ends after telophase in mitosis. In cytokinesis, the dividing cell is split into two daughter cells with the help of the spindle apparatus. Animal Cells In animal cells, the spindle apparatus determines the location of an important structure in the cell division process called the contractile ring. The contractile ring is formed from actin microtubule filaments and proteins, including the motor protein myosin. Myosin contracts the ring of actin filaments forming a deep groove called a cleavage furrow. As the contractile ring continues to contract, it divides the cytoplasm and pinches the cell in two along the cleavage furrow. Plant Cells Plant cells do not contain asters, star-shaped spindle apparatus microtubules, which help determine the site of the cleavage furrow in animal cells. In fact, no cleavage furrow is formed in plant cell cytokinesis. Instead, daughter cells are separated by a cell plate formed by vesicles that are released from Golgi apparatus organelles. The cell plate expands laterally and fuses with the plant cell wall forming a partition between the newly divided daughter cells. As the cell plate matures, it eventually develops into a cell wall. Daughter Chromosomes The chromosomes within daughter cells are termed daughter chromosomes. Daughter chromosomes result from the separation of sister chromatids occuring in anaphase of mitosis and anaphase II of meiosis. Daughter chromosomes develop from the replication of single-stranded chromosomes during the synthesis phase (S phase) of the cell cycle. Following DNA replication, the single-stranded chromosomes become double-stranded chromosomes held together at a region called the centromere. Double-stranded chromosomes are known as sister chromatids. Sister chromatids are eventually separated during the division process and equally distributed among newly formed daughter cells. Each separated chromatid is known as a daughter chromosome. Daughter Cells and Cancer Mitotic cell division is strictly regulated by cells to ensure that any errors are corrected and that cells divide properly with the correct number of chromosomes. Should mistakes occur in cell error checking systems, the resulting daughter cells may divide unevenly. While normal cells produce two daughter cells by mitotic division, cancer cells are distinguished for their ability to produce more than two daughter cells. Three or more daughter cells may develop from dividing cancer cells and these cells are produced at a faster rate than normal cells. Due to the irregular division of cancer cells, daughter cells may also end up with too many or not enough chromosomes. Cancer cells often develop as a result of mutations in genes that control normal cell growth or that function to suppress cancer cell formation. These cells grow uncontrollably, exhausting the nutrients in the surrounding area. Some cancer cells even travel to other locations in the body via the circulatory system or lymphatic system.

Drawing on a discussion of major theoretical perspectives in Essay

Drawing on a discussion of major theoretical perspectives in philisophy, and developing your own philosophical arguments, critic - Essay Example In undertaking this task, the writer is aware that one cannot fully encapsulate in one setting the entirety of the notion of sports, however, it hopes that as the paper continues some of the vagueness that some of the attributes inhering the concept may be clarified and establish a clearer notion of sports. SPORTS: WHAT IS IT? Morgan (1976) has looked into the discussion between Huizinga and Gerber regarding the notion of play, which , in turn paves for the possibility for the ontology of ports. Huizinga looks into sports as play (Morgan, 1976). In this signification, one can see the equivalence that is juxtaposed between sports and play. According to Morgan (1976), for Huizing ,play is â€Å"an irreducible facet of life whose meaning resides within itself and is not, therefore, contingent on any end it is instrumentally employed, quite incidentally and perhaps inauthentically, to bring about† (p. 25). This whole concept offers the supposition that play is something that is â €Å"non-real† and â€Å"non serious†, a â€Å"free activity standing quite consciously outside ordinary life. If this kind of reasoning is pursued and associated with sports considering that there is a presupposition that Huizinga is looking at sports a play, it opens the notion that sport ahs intrinsic value that is or used not because of any extenuating factors that influence the players, but it is engaged in for its own sake. At this point Gerber, argued that there is seeming misunderstanding of the concept of ‘to be’ in Huizinga’s concept of ‘play is nonreal’ (Morgan,1976). She maintains that there is no ontological impossibility in assuming that play is non real since how can a real person be in play and yet at the same time maintain there is ‘non realness’ in the experience. Morgan (1976) untangling g the dilemma, proposes the position that the term ‘to be’ in the statement â€Å"play is non real† is to be understood as not referring to existential ‘is’, but should be understood in the context of the Platonic ‘to be’ which, is a signifier for differentiation and variation but not necessarily referring to existence. This means that the ‘to be’ is not an existential is which denotes the notion that there is no question pertaining to the idea of realness in connection with existing. This position is further supported by the Heideggerian distinction between the ontic and ontology . as a point of clarification, ontic is knowledge base on the actual experience whereas the Heideggerian ontology refers to a prior experience of the phenomenon that allows for the formulation of the criterion that enables one to understand the events not because one has experienced, but because one has extracted from the categories, which makes the phenomenon what it is, and in this sense the phenomenon is play. In this regard, Morgan(1976) has presupposed that Hu izinga has misappropriated the terms ‘non real’ when associated with play in the context that it is justified on the premise of the Heidegerrian ontic sense, yet it s is seeks to provide a way to come out with the ontological validity for the concept of play. Gerber has clearly noted this in the counter argument against Huizinga when she

Trip to the Museum of Brands Essay Example | Topics and Well Written Essays - 500 words

Trip to the Museum of Brands - Essay Example I will concisely examine the past and current campaigns of Coca-Cola in order to reinforce its connection with its brand communication strategy. Given the massive popularity and influence of Coca-Cola, it can be claimed that the brand ultimately stands for fun, freedom and refreshment. Its focus on imparting the benefits of strong familial bond, as well as the advantages of having genuine social relationships have elevated the value of the brand from mere functional to emotional. Drinking Coke does not only mean consuming a beverage, but also adhering to what the brand stands for. Firstly, Coke’s trademark cursive script logo was in 1886 by Frank M. Robinson. As later on claimed by Robinson, the use of two Cs in the logo will help the product stand out from its competition. Since the same logo has remained for the past 120 years, it is estimated to cost $67 billion. Introduction Visiting the Museum of Brands has truly helped me understand the role of branding in not only furthering business growth, but also in influencing people’s lives. For this paper, I would like to critically analyze Coca-Cola as a brand. In this regard, I shall first provide a brief background on what I deem the overall branding strategy of Coca-Cola is, To provide a short outline of this report, I wish to start with a brief review of what branding is and how it relates to owning a specific image in the consumer’s minds. Then, I shall discuss the brands that struck my interest during the trip to the Museum of Brands. After this, I will conclude this report by sharing my insights on my experience. Branding, as Stine (2010) highlighted in his paper entitled â€Å"The Nine Principles of Branding†, is essentially about communicating the unique differentiation of one product in relation to its competitors. Through the proper combination of striking statements and creative visuals, branding is able to elevate the relevance of the highlighted product in the daily lives of the consumers.

Invention of Gatsby :: essays research papers

The Invention of Jay Gatsby â€Å"It was a testimony to the romantic speculation that he inspired that there were whispers about him from those who had found little that is was necessary to whisper about in this world.† (48) States the narrator, illustrating the attractiveness to attention and gossip of a party host. The quote comments on a conversation of two woman gossiping about the mysterious host named Gatsby. In F. Scott Fitzgerald’s book The Great Gatsby, a young man’s life and character is invented by his peers and colleagues, and by his own personal dream. When the reader first meets Jay Gatsby, he is portrayed as a private man who frequently threw lavish parties. Many of these parties consisted of people who were unaware of who Gatsby was. Because of his private nature many of his guests began to make assumptions about his past. The rumors created established an outlandish persona of Gatsby. Each rumor accumulated and grew until a rumor of Gatsby being a murder accrued. Rumors and stories alone created an exciting yet still mysterious character. A few of his guest become suspicious of his profligate but enigmatic style. Describing how unusual Gatsby’s kindness was for replacing a gown that a woman had ripped at one of this parties, a guest states; â€Å"There is something funny about a fellow that’ll do something like that. He doesn’t want any trouble with anybody.† (48) Though it was not Gatsby who had ripped the dress, he felt permitted to replacing it. Gatsby might not know all this guests, but he is com mitted to insuring they have a good time. This uncommon benevolence brings a sense of conspiracy and suspicion. However this guise of Gatsby was created through rumors and gossip but not without the aid of the character Gatsby portrayed for himself. Gatsby’s world appeared to resemble the ideal life. With a large house, expensive cars, and outlandish parties, Gatsby depicted the American dream. This life of luxury and the man known as Jay Gatsby was created from a dream of a young man named James Gats. Elucidating Gatsby’s dream the narrator states: â€Å"The truth was that Jay Gatsby, of West Egg, Long Island, sprang from his Platonic conception of himself. He was a son of God-a phrase which, if it means anything, means just that-and he must be about His Father’s Business, the service of a vast, vulgar and meretricious beauty. Invention of Gatsby :: essays research papers The Invention of Jay Gatsby â€Å"It was a testimony to the romantic speculation that he inspired that there were whispers about him from those who had found little that is was necessary to whisper about in this world.† (48) States the narrator, illustrating the attractiveness to attention and gossip of a party host. The quote comments on a conversation of two woman gossiping about the mysterious host named Gatsby. In F. Scott Fitzgerald’s book The Great Gatsby, a young man’s life and character is invented by his peers and colleagues, and by his own personal dream. When the reader first meets Jay Gatsby, he is portrayed as a private man who frequently threw lavish parties. Many of these parties consisted of people who were unaware of who Gatsby was. Because of his private nature many of his guests began to make assumptions about his past. The rumors created established an outlandish persona of Gatsby. Each rumor accumulated and grew until a rumor of Gatsby being a murder accrued. Rumors and stories alone created an exciting yet still mysterious character. A few of his guest become suspicious of his profligate but enigmatic style. Describing how unusual Gatsby’s kindness was for replacing a gown that a woman had ripped at one of this parties, a guest states; â€Å"There is something funny about a fellow that’ll do something like that. He doesn’t want any trouble with anybody.† (48) Though it was not Gatsby who had ripped the dress, he felt permitted to replacing it. Gatsby might not know all this guests, but he is com mitted to insuring they have a good time. This uncommon benevolence brings a sense of conspiracy and suspicion. However this guise of Gatsby was created through rumors and gossip but not without the aid of the character Gatsby portrayed for himself. Gatsby’s world appeared to resemble the ideal life. With a large house, expensive cars, and outlandish parties, Gatsby depicted the American dream. This life of luxury and the man known as Jay Gatsby was created from a dream of a young man named James Gats. Elucidating Gatsby’s dream the narrator states: â€Å"The truth was that Jay Gatsby, of West Egg, Long Island, sprang from his Platonic conception of himself. He was a son of God-a phrase which, if it means anything, means just that-and he must be about His Father’s Business, the service of a vast, vulgar and meretricious beauty.

Belonging Essay ‘Romulus My Father’, ‘the Lost Thing’ and ‘the Catcher in the Rye’

Our search for who we are is fuelled by our innate desire to achieve a sense of acceptance and belonging. Belonging doesn’t just happen; it involves many factors and experiences in order to feel that you truly belong. Feeling a sense of inclusion can enrich our identity and relationships and can lead to acceptance and understanding. In order to understand who we are we need to belong and this is effectively represented in Raimond Gaita’s memoir ‘Romulus My Father,’ Shaun Tan’s ‘The Lost Thing’ and JD Salinger’s ‘The Catcher in the Rye. An individual’s interaction with others and the world around them can enrich or limit their experience of belonging to an environment. ‘Romulus My Father’ demonstrates this through the profound sense of acceptance that exists within Raimond. He delivers his observations in a reflective and thoughtful tone, particularly in his recollections of his father, as he â€Å"loved him too deeply†¦ no quarrel could estrange (them)† and felt a genuine sense of familial belonging. This is also evident even after Christine dies. He observed, â€Å"We came together as son and husband with the woman whose remains lay beneath us. † Juxtaposed against Raimond’s belonging is the suffering of Christine in her displacement. Christine struggles to be the mother that society expects her to be, and her inability to relate and conform is described by Raimond as, â€Å"a troubled city girl, she could not settle†¦ in a landscape that highlighted her isolation. † Raimond’s despondent tone conveys how Christine could not fit into the community and in Australia. As a result, her isolation and alienation lead her to betray the institution of family juxtaposed by â€Å"I felt awkward with her,† which shows that Raimond’s relationship with his mother has lost the familial belonging it once contained. Similar to Christine’s feelings of estrangement, Romulus â€Å"felt like a ‘prisoner’ in Australia,† that was looked down upon and unwanted, resulting in a sympathetic response from the reader. Throughout the novel, we witness Romulus facing and struggling with these opposing pressures. Feelings of estrangement and an inability to simply ‘fit in’ are similarly explored in Shaun Tan’s â€Å"The Lost Thing†. Tan explores the attitude and bitterness towards things that do not belong, and the intricacies of a world that directly reflects society and its inability to accept differences. The fundamental need to belong can consequently result in many altering themselves in order to conform to societal expectations. Feeling a sense of belonging and acceptance involves facing many pressures and difficulties, which are clearly demonstrated by Tan. The Lost Thing is largely ignored and hardly noticed by the community, despite its bright red colour and large appearance that makes it stand out to the reader as it is juxtaposed with the dull and industrialized background. However, regardless of it curious appearance and obvious presence, the community is self-absorbed, too preoccupied with their ritual habits to even notice it. Towards the end of the book, it becomes clear that there are many other lost things that regularly appear in the city, but their presence can only be measured by the minimal extent to which they are noticed. This demonstrates the negative attitudes directed towards people or things that do not stereotypically fit in with the rest of society. Tan also explores the sense of belonging created in such a detached environment. The citizens of the organised community develop a sense of identity by conforming to the rule of society and following the organised standardizations, as demonstrated through the reoccurring motif of the identical houses drawn in neat columns. Ultimately for them to be accepted, they exclude others. Attaining a sense of ‘belonging’ can act as a nurturing force for notions of identity, bringing fulfillment and enrichment of character and this is clearly demonstrated throughout JD Salinger’s novel ‘The Catcher in the Rye,’ through the protagonist nature of Holden Caulfield. Holden seems to be excluded from and victimized by the world around him. As he mentions to his professor Mr. Spencer, he feels trapped on â€Å"the other side† of life, and he continually attempts to find his way in a world in which he feels he doesn’t belong. Part of Holden’s alienation is a result of his inability, or perhaps unwillingness to grow up. Holden is fearful of adulthood, claiming that adulthood is world of superficiality and â€Å"phonies. † We are constantly reminded of Holden’s war against â€Å"phonies†, ironically reflecting on Holden’s phoney and fake personality. Like a child, Holden fears change and is overwhelmed by the complexity, but he is too out of touch with his feelings to admit it. Instead, he spends much of his time criticizing others. When are you going to grow up? † Carl Luce makes it apparent to Holden that he must grow up and move on from his issues which are holding him back. In the conclusion of his journey, Holden is able to gain a sense of belonging and acceptance within his sister Phoebe. Although losing his brother Allie was incredibly hard, Holden finds comfort in his close relationship with his sister and is able to move on willingly. The feeling of acceptan ce involves many factors and experiences. The innate desire to belong and ramifications of not belonging are clearly represented within ‘Romulus my Father’. The struggles of belonging in the self-absorbed organized society of ‘The Lost Thing’ clearly demonstrate our basic need to be accepted. JD Salinger is able to prove that a sense of belonging comes from a sense of identity within ‘The Catcher in the Rye. ’ Belonging can enrich our identity and relationships and can lead to acceptance and understanding.

Old Diseases and Obsolete Medical Terms Definitions

Two centuries ago doctors were dealing with medical conditions such as burns, asthma, epilepsy, and angina that are still familiar today. However, they were also contending with deaths caused by such things as auge (malaria), dropsy (edema), or  spontaneous combustion (especially of brandy-drinking men and women). Death certificates from the nineteenth and early twentieth centuries often include obsolete medical terms which may be unfamiliar or unexpected, such as milk sickness (poisoning by drinking milk from cows that have eaten the white snakeroot plant), Brights disease (kidney disease) or consumption (tuberculosis). A newspaper account attributed the 1886 death of fireman Aaron Culver to drinking too much cold water. It also wasnt uncommon during the Victorian-era to see an official cause of death noted as  visitation by God (often another way of saying natural causes). Numerous health conditions that led to death prior to the early twentieth century have all but disappeared today thanks to drastic improvements in hygiene and medicine. Hundreds of thousands of women died needlessly during the eighteenth and nineteenth centuries of puerperal fever,  an infection caused by bacteria introduced by unwashed hands and medical instruments. Prior to the middle of the twentieth century and the widespread use of vaccines, diseases like smallpox, polio  and  measles  killed thousands each year. Yellow fever was the noted cause of death on the majority of 5,000 death certificates issued in Philadelphia, Pennsylvania, between August 1 and November 9, 1793. Many once common medical treatments have fallen by the wayside as well. The use of maggots to debride dead tissue from infected wounds was commonplace well into the twentieth century, prior to the widespread introduction of penicillin during World War II. Leeches were popular with doctors for blood-letting to balance the four humors (blood, phlegm, black bile and yellow bile) and bring an ill patient back into good health. And while there really is such a thing as medicinal snake oil, there were also many quacks who peddled the health benefits of unproven patent medicines and elixirs. List of Old or Obsolete Diseases and Medical Terms Ablepsy - Blindness.Ague - Used to describe intermittent fever and chills; usually, but not always, associated with malaria. Also called febrile intermittens.Aphonia - A suppression of the voice; laryngitis.Apoplexy -  A disease in which the patient falls down suddenly without other sense or motion; stroke.Bilious remitting fever - Dengue fever.Break-bone or Break-heart fever - Dengue fever.Biliousness - Jaundice.Bloody Flux - Dysentery;  an inflammation of the intestine causing diarrhea with blood.Brain Fever - An inflammation of the brain, used to describe one of several different brain infections including encephalitis, meningitis and cerebritis.Camp Fever - Typhus.Chlorosis - Anemia; also called green sickness.Cholera infantum - Infant diarrhea; sometimes called summer diarrhea or summer complaint.Catarrh - This term is still in use today to describe  excessive buildup of mucus in the nose or throat, associated with inflammation of the mucous membrane. However, in the 19th century the term was used more generally to describe upper respiratory ailments such as bronchitis or the common cold.Consumption - Tuberculosis.Creeping paralysis - Syphilis.Debility - Used to describe failure to thrive in infancy, or in old age due to loss of weight from undiagnosed cancer or other disorder.Dropsy - Edema;  often caused by congestive heart failure.Dyspepsia - Acid indigestion or heartburn.Falling sickness - Epilepsy.French pox or French disease - Syphilis.Green sickness - Anemia; also called chlorosis.Grip or Grippe -  Influenza.Marasmus - A wasting of the flesh without fever or apparent disease; severe malnutrition.Milk sickness -  Poisoning from drinking milk from cows that have eaten the white snakeroot plant; found only in the midwest United States.Mortification - Gangrene; necrosis.Nostalgia - Homesickness; yes, this was occasionally listed as a cause of death.Phthisis - The French word for consumption; tuberculosis.Quinsy - A peritonsillar abscess, a k nown complication of tonsillitis.Scrumpox - Skin disease; usually an infection  caused by the herpes simplex virus. Additional Sources for Historical Medical Terms Conditions Grammars of Death. Accessed 19 Apr 2016.  https://sites.google.com/a/umich.edu/grammars-of-death/home Chase, A. W., MD.  Dr. Chases Third, Last and Complete Receipt Book and Household Physician, or Practical Knowledge for the People.  Detroit: F. B. Dickerson Co., 1904. Decennial Cause of Death in England, 1851–1910. A Vision of Britain Through Time. Accessed 19 Apr 2016.  www.visionofbritain.org.uk. Hooper, Robert. Lexicon Medicum; or Medical Dictionary. New York: Harper, 1860. National Center for Health Statistics. Leading Causes of Death, 1900–1998. Accessed 19 Apr 2016.  http://www.cdc.gov/nchs/data/dvs/lead1900_98.pdf. The National Archives (UK). Historic Mortality Datasets. Accessed 19 Apr 2016.  http://discovery.nationalarchives.gov.uk.